Tag Archives: quick reviews

Dec 18 2025

Mel’s 5 Second Review: The Conjuring – Last Rites

The Conjuring: Last Rites (2025)
Patrick Wilson, Vera Farmiga, Mia Tomlinson, Ben Hardy, Steve Coulter, Rebecca Calder, Elliot Cowan, Beau Gadsdon, and Kíla Lord Cassidy
Directed by: Michael Chaves

The 4th and supposed final film in the wildly popular Conjuring franchise, I had high hopes for this film, seeing how much I loved the others. And while it’s not a bad movie by any means, it is the least good of the bunch.

Ed and Lorraine find themselves this time facing an entity that hits a little too close to home when it reaches out to attack their daughter, Judy.

I was so excited for this film that I did something I never do: I bought the film as soon as it was available on YouTube for either 25 or 30 bucks. I’m not exactly swimming in the dough, so I generally wait til it’s at least down to 15. And while I’m not entirely mad for spending the money, it really could have waited. Ah well.

First the good. It had a banger of an opening. Very atmospheric, very creepy. I was all in at that point. After that, however, things just got a little… formulaic I guess you could say. I can picture the producers sitting around the table smoking cigarettes and saying “just do what the others did and, oh, add tons of jumpscares and creepy smiles. People like those, right?” I really don’t know why every single entity has to smile these days. Sure, once can be creepy, if it’s done right. But all of them? All the time? Nah. The Conjuring had zero creepy smiles and was so much creepier. But I digress.

Everything in the film looked good. Most of the effects and makeup were very well done, as usual. It’s a little gorier than the previous entries, but it was done well. I even had to look away once (I’m not a huge fan of gore, it tends to make me cringe and look away). The acting was all good, but it has been consistently good for these films, so I wasn’t too surprised there. There were a few good, creepy set pieces, but unfortunately most of them ended with a “graaaahhhh!” jumpscare (cue over-dramatic musical sting here).

So do I recommend it? Yes? I guess? If you loved the series as I do, you’ll likely have a good time with it. It’s definitely not bad, just a little underwhelming as a final curtain film. I give it a decent 7/10.

M.

This film is currently for rent or purchase on YouTube and Prime.

Dec 13 2025

Mel’s 5 Second Review: A Dark Song

A Dark Song (2016)
Catherine Walker and Steve Oram
Directed by: Liam Gavin

I didn’t know what to expect with this one. All I’d really heard about it is that it was slow and amazing to some people, and awful to others. I’m glad I went in blind though, if I’d heard anything, it’d have ruined the experience. So I’ll try not say too much about it, in case someone else wants to see it.

A young woman who has recently lost her son to ritual murder enlists the help of an occultist to undergo a gruelling year-long ritual that will grant her deepest wish.

I always try to not formulate an opinion about a film before I see it, which is very hard in a day where trailers and people who say their own feelings about the film/movie/book exists. Luckily I’d never seen a trailer for this film. All I knew about it is that it was very polarizing. Some people loved it, other found it dull. Me? I’m in the former category. I kinda loved this thing.

First the good. It looked beautiful. The cinematography is on point. It feels very claustrophobic, even when there’s light streaming in through the windows. The writer/director Liam Gavin builds the tension wonderfully, so that even when it seems like not much is happening, you can feel the dread permeate the atmosphere. While there weren’t that many visual and makeup effects, the bit that we did get (mostly in the third act) were surprisingly great for such a small film. The budget, depending on the source, is said to have been between $25,000 and $50,000, which is crazy to me. It looked so good that I would expect it to be much higher. The acting was incredible from both leads. You might think a film with basically just two people in a house would be boring, but I was never bored. And it all culminates in an ending that I’m not afraid to say was poignant and oddly heartwarming, almost like it belonged in a different film. But it works, all of it. And the bad? Nothing really, this film was wonderful.

So do I recommend it? Absolutely, IF you enjoy slow burn films. If you need constant action, then maybe skip this one. I give it an 8.5/10.

M.

This film is currently streaming on Shudder.

Nov 21 2025

Mel’s 5 Second Review: Abraham’s Boys

Abraham’s Boys (2025)
Titus Welliver, Brady Hepner, Judah Mackey, Jocelin Donahue, Aurora Perrineau, and Jonathan Howard
Directed by: Natasha Kermani

This one popped up on Shudder the other day, and being the vampire fanatic that I am, I was excited and put it on as soon as I had time. And… oh boy.

Years after defeating Dracula, Abraham Van Helsing and his wife Mina are raising their 2 sons on a seculded ranch. After finding a woman locked up under the house, the boys are told that the evil has followed them, and the monsters must be erradicated. But who’s the real monster?

SPOILERS INCOMING

Now listen. The concept is amazing. 10/10. It’s based on a story written by Joe Hill, so I’m not overly surprised. But the execution… eh. I’ll start with the acting, which ranged from mediocre to laughably bad. I don’t like to harp on child actors, cause it’s a tough gig, but man. There are good child actors out there. The movie looked decent. They got a suitably creepy old house to film in (not sure if it’s “new old” or “old old”), and the dusty, desolate landscape just adds to the ambiance they were going for.

The idea that Van Helsing is simply a murderer that tricked people into thinking there were real vampires is actually really solid. I guessed it from the beginning of the film, but that’s because I’ve seen movies before. I know how they work (most of the time. I still get surprised every so often.) I tried to track down the source material, but could not find it for the life of me. Should anybody read this and knows where to find it, please let me know. The pacing was all over the place, sometimes so slow that you wonder if anything is happening at all, and other times almost frenetic with its movements. I’m not sure what they were going for, but whatever it was, they failed.

So do I recommend it? Eh. Not really. Unless you’re a diehard fan of vampires. But then again, there were no vampires in this vampire movie. Vampire adjacent? Yeah, that’s it. 5/10

M.

This film is currently on Shudder.

Nov 16 2025

Mel’s 5 Second Review: Nosferatu

Nosferatu (2024)
Lily-Rose Depp, Nicholas Hoult, Bill Skarsgård, Aaron Taylor-Johnson, Willem Dafoe, Ralph Ineson, and Emma Corrin
Directed by: Robert Eggers

So, I’ve been meaning to write about this one since I saw it in the cinema when it came out. But I’ve been really bad at blogging these days, so I never got around to it. I’m trying to break the cycle now, so here it is.

Newly-wed Ellen is haunted by an evil vampire who is infatuated with her. When her husband goes to the vampire’s castle to settle the agreement of buying a new house in Germany, he becomes a prisoner while the vampire is free to pursue Ellen.

I went into this very hesitantly. Nosferatu (1922) is, of course, a classic, and I absolutely adore Bram Stoker’s Dracula (1992). I didn’t think that this movie would show me anything new while remaining faithful to the source material. I also am not a huge fan of Robert Eggers as a director. Well, I was very wrong. I absolutely adored this film. At 2 hours and 12 minutes, it’s quite long for a horror film, but it didn’t feel long to me. I found the pacing, while, yes, a little slow, perfect, and I was never bored. Didn’t look at my watch once!

I know that Eggers is a stickler for detail, and wants everything in a period piece to be perfect. So I was not surprised at how beautiful the film is. The costuming, the sets, the setting, everything was on point. The one tiny nit-pick I have is why do the characters all have British accents when this film takes place in Germany. I was quite surprised at that. But otherwise this film is near perfect. Bill Skarsgård already proved that he was able to portray a monster in It, and he does it again here. He absolutely oozes evil from every pore. And I was rather surprised at Lily-Rose Depp. I honestly didn’t think much of her besides the fact that she’s Johnny’s daughter (nepo-baby!!). But she embraced this role whole-heartedly and really gave it her all. She was wonderful. The rest of the main cast I already knew were going to be great.

So do I recommend it? Absolutely, with a caveat. If you’re (very) easily bored, or are not a fan of horror, then no. I tried to show this to my mom and she made it only a quarter of the way through, saying it’s boring. But me? 9.5/10. Very nearly perfect!

M.

This film is currently streaming on Prime.

Nov 13 2025

Mel’s 5 Second Review: Frankenstein

Mel’s 5 Second Review: Frankenstein (2025)
Oscar Isaac, Jacob Elordi, Christoph Waltz, Mia Goth, Felix Kammerer, David Bradley, Lars Mikkelsen, and Charles Dance
Directed by: Guillermo del Toro

So, for me, del Toro films are hit and miss. They’re always a visual treat, but sometimes the story just falls a little flat for me. So I didn’t know what to expect when I saw that he was remaking Frankenstein, a story that’s been done so many times already. But believe me, this one is worth the watch.

After losing his mother as a child, young Victor vows to conquer death. He follows in his father’s footsteps, and becomes a brilliant surgeon. He is approached by a man who offers to fund his research, and bring a man back to life.

This film is, of course, sumptuous and beautiful. Every little detail is perfect, the costumes, the locations, everything. Oh! And the makeup! The Creature is stunning! I saw in an interview that the full body application took 11 hours. Can you imagine?? And then the actor has to work all day! When does he sleep? But I digress… Big props to makeup artist Mike Hill and his team, wonderful work!

The film feels like a fairy tale, albeit a dark one. It’s a little gory at times, but never so much that it made me ill (except for the scene with some wolves, I literally cringed and tried to push myself into the couch. I know they weren’t real animals, but I still wish that wasn’t in there, or at least not so graphic). The acting was all superb. Oscar Isaac was fantastic, if a little manic, as the arrogant Victor. Mia Goth was beautiful and full of nuance as Elizabeth. And Christoph Waltz was amazing, as usual. But the standout for me was Jacob Elordi. I was crazy surprised by his acting chops, I thought he was just another pretty boy actor who did a few teen films. Boy was I wrong! He’s a wonderful, very physical actor, who can say so much without saying a word. His performance as the Creature is so… I’m searching for another word besides fantastic, amazing, wonderful… he’s all of those things.

And then there’s the story. To be honest, I haven’t read Franenstein since I was a kid, and remember very little of the details, so I can’t vouch for the quality of the adaptation. But the film’s story is great. I was surprised to see that it started at what seemed the end of the story, but once Victor starts to tell his tale, it makes sense. I won’t say anything else about the story because I want people to see the film going in as blind as possible, like I did. I’d only seen the teaser trailer for it, that’s all.

So do I reccomend it? Yes, yes, and more yes. I think even if you don’t like horror in general, you’ll probably like this. It’s a 10/10 from me. A truly mesmerizing piece of film.

M.

This film is currently streaming on Netflix. Enjoy!

May 26 2025

Mel’s 5 Second Review: Wolf Man

Wolf Man (2025)
Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger, Zac Chandler, and Benedict Hardie
Directed by: Leigh Whannell


So I’ve been wanting to see this since it came out, but due to all the negative reviews I’d seen about it, I was apprehensive about spending any money on it. But it’s now streaming on Prime, so I decided to jump in. And you know, I wouldn’t have been mad about spending a few bucks on it.

A family at a remote farmhouse is attacked by an unseen animal, and as the night stretches on, the father begins to transform into something unrecognizable.

I really don’t understand all the hate this film got. No, it’s not reinventing the wheel, but it’s a good time. It has a few good, tense moments, and I actually quite enjoyed the POV shots changing between the family and the infected Blake. It’s a good idea that I don’t remember seeing before. The make-up effects were well done, even if the wolf design was slightly underwhelming. Christopher Abbott does a great job conveying a man who’s desperately trying to hold on to his humanity even as he feels it slipping away. Everyone was great, actually, except maybe Matilda Firth as daughter Ginger. She wasn’t as horrible as I’ve seen others accuse her of, but she wasn’t great. I don’t like being too hard on child actors, though. It’s a tough gig. The cinematography was stunning, as were the locales, but that happens when you film in New Zealand. I do wish they’d gone for a different ending, though. It felt very predictable and safe.

So if you’ve been on the fence about this one because of the reviews, I’d suggest just seeing it for yourself. You never can tell what you’re going to like based on what other people have thought. I know I definitely can’t. I often end up liking things others hated, or hating things others loved. This one gets a 7.5/10 from me.

M.

This film is currently streaming on Amazon Prime.

May 8 2025

Mel’s 5 Second Review: Coherence

Coherence (2013)
Emily Foxler, Nicholas Brendon, Maury Sterling, Elizabeth Gracen, Lorene Scafaria, Hugo Armstrong, Alex Manugian, and Lauren Maher
Directed by: James Ward Byrkit


So this film has been on my watch list for years. I’d always heard such good things about it that I really wanted to see it. So yesterday I finally took the plunge. And I have to say, I’m pretty disappointed.

Eight longtime friends come together for a dinner party on the night that a comet is passing overhead. What begins as a fun evening devolves into fear and paranoia as strange things start happening.

SPOILERS INCOMING

I had high hopes for this film and, to its credit, it has some great ideas. The comet seems to affect reality, splitting it into what is probably infinite possibilities. The friends come to realize that walking through a “dark space” outside will bring you to another reality where exact copies of themselves reside, with just some very slight differences. That was all great. But everything else… not so much.

The acting, first of all, feels weird, very forced. I guessed that maybe a lot of the dialog was improvised and, after looking it up, saw I was right. But it wasn’t seamless improv. The actors (none of whom I’d ever seen before save Nicholas Brendon who played Xander on Buffy the Vampire Slayer) seem to struggle with thinking of things to say, so it all sounded hollow. They also ended scenes very abruptly with hard cuts to black, which was very off-putting. The camera work was just plain bad, all weird angles and shakiness. And the ending was very underwhelming. They could have done so much with such an interesting idea, but they chose the low-hanging fruit.

I’ll give it a few points for an original idea, but I can’t give it more than a 5/10. Such a shame.

M.

This film is currently streaming on Prime.

Apr 25 2025

Mel’s 5 Second Review Double Feature: Superdeep & The Cleansing Hour

Superdeep (Kolskaya Sverhglubokaya) (2020)
Milena Radulovic, Nikita Dyuvbanov, Kirill Kovbas, Vadim Demchog, and Sergey Ivanyuk
Directed by: Arseniy Sukhin


So, I watched this one on a whim. I’d heard of the borehole, and the supposed recordings that came from it, and I thought that it made a good concept for a movie. Well, let me tell you, this was definitely not what I was expecting!

The Kola Superdeep borehole is the largest Russian secret facility. In 1984, at the depth of 12 kilometers below the surface, unexplained sounds were recorded, resembling screams and moans from hell. Since these events, the facility has been closed. A small research team of scientists and military personnel go down below the surface to find the secret hidden all these years.

So first, I watched this on Shudder, and they only had the English dub available. I usually don’t watch movies if they’ve been dubbed, so I’m not sure why I watched this one, but here it is. The actors they got for the dub were horrible. Simply wretched. The lead actress conveyed all the emotion of a stale scone. No matter what she was supposed to be doing or feeling, she had the same tone of voice. And the fact that the lips don’t move along with the voice drives me nuts.

The concept also didn’t seem to fit with what was advertised. “Sounds of hell” to me seems like it would involve demons, maybe ghosts, something in that line. What I got instead was a massive, cordyceps-like parasite. (If you don’t know what cordyceps are, they’re parasites that take over an ant’s nervous system, walks it back to its nest, or up to a high spot, and then spores will explode from the ant’s body, infecting everything around. Pretty creepy stuff.) In any case, it was still an interesting concept, so I kept watching. And while I don’t fully regret it, I can’t say it’s a great movie. It’s over-long, clocking in at 115 minutes. Half an hour could have easily been shaved off this thing to make it more palatable. It felt disjointed and the characters seemed like caricatures. What I will praise the film for is the practical effects. The make-ups were beautiful. And the creature, holy shit was that thing creepy! Just thinking about it gives me the willies.

All in all, I didn’t hate it, but I definitely didn’t love it. Maybe it’d have gotten a higher score had I seen it in its original Russian, but as it is, it gets a 5/10.

…

The Cleansing Hour (2020)
Ryan Guzman, Kyle Gallner, Alix Angelis, Chris Lew Kum Hoi, Daniel Hoffmann-Gill, and Emma Holzer
Directed by: Damien LeVeck


This one has been on my to-watch list since it came out, and I’ve just now got around to it. I’m glad I finally did.

Max and Drew are millennial entrepreneurs who’ve made themselves famous with a webcast they created called “The Cleansing Hour,” which streams live exorcisms. The catch? Each exorcism is elaborately staged. Until today, when Drew’s fiancé, today’s actress in the chair, turns out to actually be possessed!

Unlike Superdeep, this was very much exactly what I was expecting it to be. No shade intended! Sometimes the simplest ideas are the best ones. All the acting was great, especially Kyle Gallner, but no surprise there, he’s wonderful. The makeup and vfx were nothing special, but not awful, either. This was very overt, though. No “is she really possessed?” kind of thing, they make it known right from the get-go that she is. So I missed that sense of mystery a bit. It was also very loud, the sound design was a little jarring. But I suppose that’s to be expected from a film that’s basically one long exorcism. But in the end, I had a good time watching it, so it gets a solid 7.5/10.

M.

Both these films are currently on Shudder.

Apr 6 2025

Mel’s 5 Second Review: Skinamarink

Skinamarink (2023)
Lukas Paul, Dali Rose Tetreault, Ross Paul, and Jaime Hill
Directed by: Kyle Edward Ball

I was apprehensive going in to this film because of the mixed reviews. I generally try to go in as blind as I can to films, so there’s no spoilers. And while nothing was spoiled for me, I did notice how polarizing the film seemed to be. People were either raving about it, or saying it was a piece of shit. I decided to give it a shot.

The setup was simple enough. A brother and sister wake in the middle of the night to find their parents are missing, as are all the doors and windows out. They put the tv on in the living room to distract themselves, but soon realize they aren’t alone any more.

First off, this film is VERY artsy. If that’s not your bag, skip this one. The weird camera angles give the whole thing a surreal, dreamlike quality, which I imagine is what the filmmaker was going for. The sense of hopelessness and dread is very heavy through the whole film, and even though nothing is shown, the imagination takes over (did that shadow just move??). I generally am not fond of art house films, I tend to think they’re pretentious bullshit. And yet, with this one, I couldn’t look away. MILD SPOILERS, MAYBE? My theory is that this isn’t something that’s literally happening. This, to me, seems like what a neglected and/or abused child would feel, trapped in a nightmare they can’t escape. I give it 6/10 because, while I applaud what they were trying to do, in the end, artsy films just aren’t for me.

M.

This is currently streaming on Shudder.

Jun 25 2024

Mel’s 5 Second First Impressions: Guillermo del Toro’s Cabinet of Curiosities

Guillermo del Toro’s Cabinet of Curiosities (2022)
Tim Blake Nelson, David Hewlett, Ben Barnes, Rupert Grint, Lize Johnston, Kevin Keppy, Essie Davis, Peter Weller, F Murray Abraham, Kate Micucci, Crispin Glover, Andrew Lincoln, Martin Starr, Sebastian Roché, Ismael Cruz Cordova, Dan Stevens, DJ Qualls, and Nia Vardalos

Cabinet of Curiosities

So I’ve been meaning to watch this since it came out. I was immediately intrigued by the Netflix blurb, and the fact that there’s so many actors that I know and like in it. I put it in my to-watch list… and immediately forgot about it, as I do. I finally got around to watching the first 2 episodes the other night, and I’m not sure how I feel about it.

It’s an 8 episode anthology show, that seems to be all horror from what I’ve seen. In the first episode, a cranky old man who owes money to a shady individual buys a storage locker to sell its contents and gets a whole lot more than he bargained for. In the second episode, a graverobber thinks he’s going to have a great haul after a wealthy man passes away, only to find that the “graveyard rats” already have a plan for him.

First the good, and there’s quite a bit of it. It looks really good. The cinematography, production, and atmosphere are all on point. The acting in the first 2 episodes was great, although I can’t say if it stays good all the way through, since I haven’t seen the rest. It’s definitely movie-quality. The bad: I can’t say I loved it. The first episode did a good job at building tension and while the payoff was good, the episode just kind of ended with so many questions left unanswered. The second episode ended better, and had a more complete story, and while it wasn’t bad, it was just kind of “meh”. I’m not sure it gripped me enough to get me to watch the rest of the episodes. There are actors I’m looking forward to seeing (Ben Barnes *cough*), so maybe that’ll be enough to get me to sit down to it again. As it is right now, though, it only gets a 6.5/10.

M.

This is currently streaming on Netflix.