Mel’s 5 Second Review: As Above, So Below

As Above, So Below (2014)
Perdita Weeks, Ben Feldman, François Civil, Edwin Hodge, Marion Lambert, Ali Marhyar, Cosme Castro
Directed by: John Erick Dowdle

This movie has been on my radar for a good while now, but I never quite got around to it. I generally don’t like found footage films, so that was probably the big reason I didn’t see it. But after seeing a YouTuber I like watching gush about it a few times, I decided to give it a go. And boy, do I kinda feel dumb now.

A team of explorers ventures into the forbidden areas of the Catacombs of Paris looking for the fabled Philosopher’s Stone and come to realize that not all is as it seems.

First, I gotta get the bad out of the way. There were some severely shaky cam moments that I really didn’t enjoy. A lot of shaky cam makes me nauseous. Thankfully, there wasn’t too much of it. And really, that’s all the bad I can say about this film. It was pretty awesome. The acting is usually pretty sketchy in these types of movies, but the cast all did a really good job. The film was actually filmed in the Catacombs, which is both awesome and creepy at the same time. I’d love to visit that one of these days. As a cool bit of trivia, this was the first ever production that secured permission from the French government to film in the Paris Catacombs, both in the public and in the off-limits area. They got permission the night before shooting began.

SPOILERS INCOMING

So after the group actually finds the stone, and a lot of other treasure, it triggers a trap that causes a cave in. The group are forced to go even deeper into the underground, and that’s when shit really starts to get weird. I loved the slowly unravelling mystery of what was going on, and when we finally see the inscription “Abandon all hope ye who enter here” I knew I was in for something special. And let me tell you, it did not disappoint. Hell has been depicted many ways over the decades, but I’ve never seen anything like this before. It’s such a great idea, being literally what’s in the title of the film. The idea that you’re in a hell of your own making, and only facing your trauma can set you free has been done before (very well in the wonderful film What Dreams May Come), but not quite like this. So if the only thing keeping you from watching this is the fact that it’s a found footage film, I can assure you that it’s such a good film that it makes the found footage element barely an issue.

So, do I recommend it? In case I haven’t made it clear yet, yes yes yes. Absolutely wonderful, it gets a 9/10 from me. It might have been a 10 if it hadn’t been found footage. Go watch it, now!

M.

This film is not currently streaming anywhere, but is available for rental or purchase on YouTube or Amazon Prime.

Mel’s 5 Second Review: Grave Encounters

Grave Encounters (2011)
Sean Rogerson, Ashleigh Gryzko, Merwin Mondesir, Juan Riedinger, Mackenzie Gray, Ben Wilkinson, and Bob Rathie
Directed by: The Vicious Brothers

Grave-Encounters

So, I generally don’t like found footage films. The blurry, bouncy camera work does nothing for me, except maybe make me slightly nauseous. But every so often I’ll get drawn into watching one, either because I’ve heard nothing but good things, or someone I generally agree with in movie tastes says it’s good. Which is what happened with this one. Darren from Flick Connection recommended it in one of his videos, and I mostly trust his judgement, so I decided to watch it.

For their ghost hunting reality show, a crew lock themselves in an abandoned asylum over night. They’re used to having to make up their own scares. This time they won’t have to.

SPOILERS INCOMING

First the not-so-good. The camera work was bouncy, just the way I don’t like it. They had a few static cams set up around the place, but it was mostly all hand-held. But I knew that going in, so I tried to ignore it and move on. Another down point was one of the characters, TC, was so thoroughly unlikable that it actually took me out of the moment in some places. He was so stereotypical that I just had to cringe sometimes.

Now the good. The rest, really. The story, while nothing new, was good. The acting was mostly good, the characters, save one, were engaging. I like the ambiguity of what happens to the characters. Are they dead? Are they now “patients”? Obviously Matt died, having jumped to his death, but the others? Lance is alive, in a sense, at the end. But we really don’t know what happened to the others, and I kinda like that.

All in all, I liked it. I might even look up the second one to see if it’s as good. I’d definitely recommend this film to anyone who likes found footage films, and/or ghost stories. I give it a solid 8/10.

M.

This film is currently streaming on Amazon Prime.

Mel’s 5 Second Review: The Possession of Michael King

The Possession of Michael King
(2014) Shane Johnson, Cara Pifko, Julie McNiven, Ella Anderson, Tomas Arana, Patricia Healy, Cullen Douglas, Jed Rees, Tobias Jelinek, and Dale Dickey

Let me start by saying that I generally don’t like found footage type films. No matter how good the story is, I just can’t get past the shaky cam, it’s rather nauseating. With that in mind, this film is done so well, and with a minimum of actual “shakiness”, that I didn’t mind. I went into this with zero expectations, and was pleasantly surprised. This film is much better than it has any right being.

Michael is an atheist who recently lost his wife in an unfortunate accident. After confronting his late wife’s “spiritual adviser” (a tarot card reader), he decides to make a documentary featuring what he believes will be proof that the supernatural doesn’t exist. He’s going to do any ritual he can find and when none of them work, that’ll be the proof he says. As is obvious in the title, things go horribly wrong.

Everything was remarkably good for a little indie film. Acting, effects, makeup, all were pretty stellar. The one thing I could say about it is that there were a few too many jump scares in a film that was creepy enough that it didn’t need them. There weren’t so many that I got annoyed, but still, the film could have done without. The plot was really simple, but it was done so well that it didn’t really need more. And that’s pretty much it. I’m trying to find other stuff to say, but “it was pretty great” pretty much covers it. A solid 8/10 from me.

M.

This film is currently streaming on Tubi.

Mel’s 5 Second Review: The Taking of Deborah Logan

The Taking of Deborah Logan
(2014) Jill Larson, Anne Ramsay, Michelle Ang, Ryan Cutrona, Anne Bedian, Brett Gentile, Jeremy DeCarlos, Tonya Bludsworth, and Julianne Taylor

the-taking-of-deborah-logan

SPOILERS AHEAD

Let me start by stating that I had absolutely no intention of watching this film when I found out it was a found-footage style film. I can count on one hand the number of these films I’ve enjoyed, I just don’t see the appeal. They’re supposed to be more frightening since it’s “more real”, I guess, but really all it is is annoying. The shaky camera, especially when the characters are running (and they always do at some point), is nothing except nausea inducing. You can’t even see what’s happening. It’s a genre that has long over-stayed it’s welcome, and I for one will be happy to see it go away. Alright, so, this film. After reading a few reviews, here and on movie sites, saying how good it was, I decided to go ahead and give it a watch, fully expecting to turn it off halfway. And I have to admit, it was pretty good. Jill Larson turned in a marvelous and rather creepy performance as Deborah, which is good since the rest of the cast is pretty mediocre. It was a little slow in some parts, but it built good suspense, so that was ok. That was the good. Now the bad. The ending left much to be desired. It had everything I mentioned I hated about found footage films, and then some. Running, incoherent yelling, the camera light flicking on and off, the image snowing in and out, tons of static, and it lasted for a good 20 minutes. So that knocked a point off its score. The main film student, Mia, was painfully stupid sometimes, so that knocked off another point. And then there was the whole snake thing, culminating in that moronic head-eating scene, and that squeezed another point off. For a film that had been good and scary, that ending was very much a disappointment. But everything before that was quite impressive, enough that it still manages a score of 7/10.

This film is currently streaming on Netflix and, despite its problems, I still reccomend it. Enjoy!

M.

Mel’s 5 Second Review: The Blair Witch Project

The Blair Witch Project
(1999) Heather Donahue, Michael Williams and Joshua Leonard

Image

The Blair Witch Project was brilliant in so many ways. It was well thought out, a great idea, well marketed and groundbreaking. That being said, I hated it. I don’t know if I would have liked it more had I seen it not knowing it was fake. I sat there watching, waiting, hoping it would get better, and when it ended with never having done anything, I threw my remaining popcorn at the tv. I’ve seen a a lot of horror films in my day. Like A LOT. And not many of them bored me quite as much as Blair Witch did. We also have this film to thank for the ever-increasing amount of found-footage films being made. So thanks so much!! That was sarcasm, in case you missed it. These films need to stop. No, really, we’ve had enough. 1/10, only for the cool way it was marketed.

I think the film is on Netflix, but I’m not 100% sure. Go check for yourself if you’re interested :-p

M.