As Above, So Below (2014)
Perdita Weeks, Ben Feldman, François Civil, Edwin Hodge, Marion Lambert, Ali Marhyar, Cosme Castro
Directed by: John Erick Dowdle

This movie has been on my radar for a good while now, but I never quite got around to it. I generally don’t like found footage films, so that was probably the big reason I didn’t see it. But after seeing a YouTuber I like watching gush about it a few times, I decided to give it a go. And boy, do I kinda feel dumb now.

A team of explorers ventures into the forbidden areas of the Catacombs of Paris looking for the fabled Philosopher’s Stone and come to realize that not all is as it seems.

First, I gotta get the bad out of the way. There were some severely shaky cam moments that I really didn’t enjoy. A lot of shaky cam makes me nauseous. Thankfully, there wasn’t too much of it. And really, that’s all the bad I can say about this film. It was pretty awesome. The acting is usually pretty sketchy in these types of movies, but the cast all did a really good job. The film was actually filmed in the Catacombs, which is both awesome and creepy at the same time. I’d love to visit that one of these days. As a cool bit of trivia, this was the first ever production that secured permission from the French government to film in the Paris Catacombs, both in the public and in the off-limits area. They got permission the night before shooting began.

SPOILERS INCOMING

So after the group actually finds the stone, and a lot of other treasure, it triggers a trap that causes a cave in. The group are forced to go even deeper into the underground, and that’s when shit really starts to get weird. I loved the slowly unravelling mystery of what was going on, and when we finally see the inscription “Abandon all hope ye who enter here” I knew I was in for something special. And let me tell you, it did not disappoint. Hell has been depicted many ways over the decades, but I’ve never seen anything like this before. It’s such a great idea, being literally what’s in the title of the film. The idea that you’re in a hell of your own making, and only facing your trauma can set you free has been done before (very well in the wonderful film What Dreams May Come), but not quite like this. So if the only thing keeping you from watching this is the fact that it’s a found footage film, I can assure you that it’s such a good film that it makes the found footage element barely an issue.

So, do I recommend it? In case I haven’t made it clear yet, yes yes yes. Absolutely wonderful, it gets a 9/10 from me. It might have been a 10 if it hadn’t been found footage. Go watch it, now!

M.

This film is not currently streaming anywhere, but is available for rental or purchase on YouTube or Amazon Prime.