May 8 2025

Mel’s 5 Second Review: Coherence

Coherence (2013)
Emily Foxler, Nicholas Brendon, Maury Sterling, Elizabeth Gracen, Lorene Scafaria, Hugo Armstrong, Alex Manugian, and Lauren Maher
Directed by: James Ward Byrkit


So this film has been on my watch list for years. I’d always heard such good things about it that I really wanted to see it. So yesterday I finally took the plunge. And I have to say, I’m pretty disappointed.

Eight longtime friends come together for a dinner party on the night that a comet is passing overhead. What begins as a fun evening devolves into fear and paranoia as strange things start happening.

SPOILERS INCOMING

I had high hopes for this film and, to its credit, it has some great ideas. The comet seems to affect reality, splitting it into what is probably infinite possibilities. The friends come to realize that walking through a “dark space” outside will bring you to another reality where exact copies of themselves reside, with just some very slight differences. That was all great. But everything else… not so much.

The acting, first of all, feels weird, very forced. I guessed that maybe a lot of the dialog was improvised and, after looking it up, saw I was right. But it wasn’t seamless improv. The actors (none of whom I’d ever seen before save Nicholas Brendon who played Xander on Buffy the Vampire Slayer) seem to struggle with thinking of things to say, so it all sounded hollow. They also ended scenes very abruptly with hard cuts to black, which was very off-putting. The camera work was just plain bad, all weird angles and shakiness. And the ending was very underwhelming. They could have done so much with such an interesting idea, but they chose the low-hanging fruit.

I’ll give it a few points for an original idea, but I can’t give it more than a 5/10. Such a shame.

M.

This film is currently streaming on Prime.

Apr 25 2025

Mel’s 5 Second Review Double Feature: Superdeep & The Cleansing Hour

Superdeep (Kolskaya Sverhglubokaya) (2020)
Milena Radulovic, Nikita Dyuvbanov, Kirill Kovbas, Vadim Demchog, and Sergey Ivanyuk
Directed by: Arseniy Sukhin


So, I watched this one on a whim. I’d heard of the borehole, and the supposed recordings that came from it, and I thought that it made a good concept for a movie. Well, let me tell you, this was definitely not what I was expecting!

The Kola Superdeep borehole is the largest Russian secret facility. In 1984, at the depth of 12 kilometers below the surface, unexplained sounds were recorded, resembling screams and moans from hell. Since these events, the facility has been closed. A small research team of scientists and military personnel go down below the surface to find the secret hidden all these years.

So first, I watched this on Shudder, and they only had the English dub available. I usually don’t watch movies if they’ve been dubbed, so I’m not sure why I watched this one, but here it is. The actors they got for the dub were horrible. Simply wretched. The lead actress conveyed all the emotion of a stale scone. No matter what she was supposed to be doing or feeling, she had the same tone of voice. And the fact that the lips don’t move along with the voice drives me nuts.

The concept also didn’t seem to fit with what was advertised. “Sounds of hell” to me seems like it would involve demons, maybe ghosts, something in that line. What I got instead was a massive, cordyceps-like parasite. (If you don’t know what cordyceps are, they’re parasites that take over an ant’s nervous system, walks it back to its nest, or up to a high spot, and then spores will explode from the ant’s body, infecting everything around. Pretty creepy stuff.) In any case, it was still an interesting concept, so I kept watching. And while I don’t fully regret it, I can’t say it’s a great movie. It’s over-long, clocking in at 115 minutes. Half an hour could have easily been shaved off this thing to make it more palatable. It felt disjointed and the characters seemed like caricatures. What I will praise the film for is the practical effects. The make-ups were beautiful. And the creature, holy shit was that thing creepy! Just thinking about it gives me the willies.

All in all, I didn’t hate it, but I definitely didn’t love it. Maybe it’d have gotten a higher score had I seen it in its original Russian, but as it is, it gets a 5/10.

…

The Cleansing Hour (2020)
Ryan Guzman, Kyle Gallner, Alix Angelis, Chris Lew Kum Hoi, Daniel Hoffmann-Gill, and Emma Holzer
Directed by: Damien LeVeck


This one has been on my to-watch list since it came out, and I’ve just now got around to it. I’m glad I finally did.

Max and Drew are millennial entrepreneurs who’ve made themselves famous with a webcast they created called “The Cleansing Hour,” which streams live exorcisms. The catch? Each exorcism is elaborately staged. Until today, when Drew’s fiancé, today’s actress in the chair, turns out to actually be possessed!

Unlike Superdeep, this was very much exactly what I was expecting it to be. No shade intended! Sometimes the simplest ideas are the best ones. All the acting was great, especially Kyle Gallner, but no surprise there, he’s wonderful. The makeup and vfx were nothing special, but not awful, either. This was very overt, though. No “is she really possessed?” kind of thing, they make it known right from the get-go that she is. So I missed that sense of mystery a bit. It was also very loud, the sound design was a little jarring. But I suppose that’s to be expected from a film that’s basically one long exorcism. But in the end, I had a good time watching it, so it gets a solid 7.5/10.

M.

Both these films are currently on Shudder.

Apr 6 2025

Mel’s 5 Second Review: Skinamarink

Skinamarink (2023)
Lukas Paul, Dali Rose Tetreault, Ross Paul, and Jaime Hill
Directed by: Kyle Edward Ball

I was apprehensive going in to this film because of the mixed reviews. I generally try to go in as blind as I can to films, so there’s no spoilers. And while nothing was spoiled for me, I did notice how polarizing the film seemed to be. People were either raving about it, or saying it was a piece of shit. I decided to give it a shot.

The setup was simple enough. A brother and sister wake in the middle of the night to find their parents are missing, as are all the doors and windows out. They put the tv on in the living room to distract themselves, but soon realize they aren’t alone any more.

First off, this film is VERY artsy. If that’s not your bag, skip this one. The weird camera angles give the whole thing a surreal, dreamlike quality, which I imagine is what the filmmaker was going for. The sense of hopelessness and dread is very heavy through the whole film, and even though nothing is shown, the imagination takes over (did that shadow just move??). I generally am not fond of art house films, I tend to think they’re pretentious bullshit. And yet, with this one, I couldn’t look away. MILD SPOILERS, MAYBE? My theory is that this isn’t something that’s literally happening. This, to me, seems like what a neglected and/or abused child would feel, trapped in a nightmare they can’t escape. I give it 6/10 because, while I applaud what they were trying to do, in the end, artsy films just aren’t for me.

M.

This is currently streaming on Shudder.

Jun 25 2024

Mel’s 5 Second First Impressions: Guillermo del Toro’s Cabinet of Curiosities

Guillermo del Toro’s Cabinet of Curiosities (2022)
Tim Blake Nelson, David Hewlett, Ben Barnes, Rupert Grint, Lize Johnston, Kevin Keppy, Essie Davis, Peter Weller, F Murray Abraham, Kate Micucci, Crispin Glover, Andrew Lincoln, Martin Starr, Sebastian Roché, Ismael Cruz Cordova, Dan Stevens, DJ Qualls, and Nia Vardalos

Cabinet of Curiosities

So I’ve been meaning to watch this since it came out. I was immediately intrigued by the Netflix blurb, and the fact that there’s so many actors that I know and like in it. I put it in my to-watch list… and immediately forgot about it, as I do. I finally got around to watching the first 2 episodes the other night, and I’m not sure how I feel about it.

It’s an 8 episode anthology show, that seems to be all horror from what I’ve seen. In the first episode, a cranky old man who owes money to a shady individual buys a storage locker to sell its contents and gets a whole lot more than he bargained for. In the second episode, a graverobber thinks he’s going to have a great haul after a wealthy man passes away, only to find that the “graveyard rats” already have a plan for him.

First the good, and there’s quite a bit of it. It looks really good. The cinematography, production, and atmosphere are all on point. The acting in the first 2 episodes was great, although I can’t say if it stays good all the way through, since I haven’t seen the rest. It’s definitely movie-quality. The bad: I can’t say I loved it. The first episode did a good job at building tension and while the payoff was good, the episode just kind of ended with so many questions left unanswered. The second episode ended better, and had a more complete story, and while it wasn’t bad, it was just kind of “meh”. I’m not sure it gripped me enough to get me to watch the rest of the episodes. There are actors I’m looking forward to seeing (Ben Barnes *cough*), so maybe that’ll be enough to get me to sit down to it again. As it is right now, though, it only gets a 6.5/10.

M.

This is currently streaming on Netflix.

Mar 9 2024

Mel’s 10 Things About… Dune part 2

Dune part 2 (2024)
Timothée Chalamet, Zendaya, Rebecca Ferguson, Austin Butler, Javier Bardem, Josh Brolin, Florence Pugh, Dave Bautista, Christopher Walken, Léa Seydoux, Stellan Skarsgård, and Charlotte Rampling
Directed by: Denis Villeneuve

Dune2

  1. There is a ridiculous amount of eye candy in this film, just to get that out of the way. Even Austin Butler, under all that Harkonnen makeup, is still beautiful.
  2. The film looks beautiful. The cinematography is insane. The makeup, the costumes, the visuals, all breathtaking.
  3. The acting is all great, as expected after seeing the first film. Zendaya does a surprisingly good job, and Austin Butler is great as the psychotic Feyd-Rautha.
  4. The fight choreographies are insane. I’m not sure how much the actors did themselves, but it’s impressive nonetheless.
  5. I heard from someone who’s read the books that there are some key things that are different, but as someone who has not read the whole book (I’ve only read about a fifth of it, then I pooped out), the story felt fluid and complete.
  6. The score was, to use an epic word, bombastic. Less so than the first film, but I think that’s a good thing. The score was a little overpowering in part 1 (but that’s literally the only thing that I have to say bad about it).
  7. The film ended a bit abruptly. Things were a bit long in the tooth (not in a bad way) for most of the film, then all of a sudden, it was over. The film is 2 hours and 46 minutes long, already a good chunk of time, but I really could have used a little extra time to flesh it out some more.
  8. Slight spoiler: I think I saw a small mistake near the end of the film. Paul gets stabbed in what I see as his side, but then he pulls the blade from his shoulder. Did I see it wrong, or was that an actual mistake?
  9. I liked Jessica’s character a lot less in this film, but I’m thinking that that’s how you’re supposed to feel.
  10. All in all, I did really love this film. It was a wonderful film. I saw it in a cinema with a screen that wrapped three quarters around the room, and I’d never experienced that before. It was great. Do I reccomend it? If you liked the first one, then definitely. If the first one left you cold, then you probably won’t like this one either.

This film is currently still only in cinemas, but I’m sure it’ll come to streaming soon. Enjoy! I certainly did!

M.

Jan 29 2024

Mel’s 5 Second Review: Talk to Me

Talk to Me (2022)
Sophie Wilde, Alexandra Jensen, Miranda Otto, Joe Bird, Zoe Terakes, and Cookie the Dog
Directed by: Danny and Michael Philippou

Talk to Me

So I’ve been sitting here staring blankly at the screen for about half an hour. That’s never a good sign. I had heard such good things about this film from my Horror Movies Addicts Facebook page, so I decided to give it a go. I should have known better, I really should have.

Mia and Jade hear about a group of kids doing “possession parties” using an embalmed hand. They go and soon see that it’s very real. But soon Mia begins seeing things even when not in contact with the hand, and her life begins to spiral.

First the good, I suppose. It looked real nice. The sets, makeup, and cinematography were all on point. It had some good ideas, I’ve never seen a possession film quite like this one, so there’s that. The acting was mostly good, but that leads us into the not so good as well. The characters are mostly so thoroughly unlikable that it’s really hard to care if anything happens to them. I know they’re teenagers, and teens are hard to like anyways sometimes, but surely they’re not all the same? And the mom. As much as I like Miranda Otto, I could not like her here, nor get behind her parenting. I mean really.

I knew I was in for something I wouldn’t like as soon as I saw the second (of about a million, my goodness) production company logo: A24. That made movies like Hereditary, which I also hated. Such pretentious bullshit. But all in all, it had the worst sin any movie can have, not just horror: It was boring. I kept on fighting the urge to look at my phone the whole time, and that’s definitely not good.

I give it a 4/10. Watch only if you’re a big fan of A24 stuff. You’re allowed :-p

M.

Nov 17 2023

Mel’s 5 Second Review: The Last Voyage of the Demeter

The Last Voyage of the Demeter (2023)
Corey Hawkins, Aisling Franciosi, Liam Cunningham, David Dastmalchian, Woody Norman, Chris Walley, Stefan Kapicic, Jon Jon Briones, Martin Furulund, Nikolai Nikolaeff, and Javier Botet
Directed by: André Øvredal

Demeter

Ok, so I went into this not knowing what to expect. I can tell you what I was hoping for though. A genuinely scary vampire film. It’s not that I don’t enjoy the various tame Dracula‘s, or even the Twilight‘s, but I wanted to be scared this time. And let me tell you, this film is almost there. Almost. The Nosferatu-esque makeup is genuinely creepy, and it moves with the creep factor that only Javier Botet (or Doug Jones, for that matter, but it’s Botet in this film) can bring. It does a good job of making the story feel claustrophobic and atmospheric. Having the whole film take place on a ship might’ve been risky, especially since it runs at 2 hours, but I was never bored. I was actually nervous for the characters, which is probably because they do a good job of setting them up, and the actors do an excellent job of portraying them.

Despite all this, the ultimate scare factor just wasn’t there. I don’t know, maybe it’s just me, maybe I’ve just seen so many horror films that they leave me cold in the scares department. Or maybe it was that the kills were mostly done with cgi. The blood just doesn’t fall right when it’s not really there. I miss practical effects, but cgi can be a good companion to it when used sparingly. Unfortunately, it was not used sparingly in this film. I was still horrified at the burning scenes, but I think that has more to do with me being inherently afraid of fire than of it looking good. When makeup was really used, it was done very well, so why didn’t they… ah, never mind. Cgi is the thing now, I guess I should just get used to it.

In the end, though, I did quite enjoy the film, and would recommend it to anyone who loves vampire films like I do (Marilyn Manson’s If I Was Your Vampire popped up quite randomly on my Spotify as I write this, I’m amused). I give it a very respectable 7.5/10. 

M.

This film is available for rent or buy on YouTube and Amazon Prime.

Apr 30 2023

Mel’s 5 Second Review: Smile

Smile (2022)
Sosie Bacon, Kyle Gallner, Jessie T Usher, Robin Weigert, Gillian Zinser, Jack Sochet, Rob Morgan, Caitlin Stasey, and Kal Penn
Directed by: Parker Finn

smile

Have you seen It Follows? Have you seen The Ring? Then you’ve seen Smile.

Rose Cotter is a seemingly workaholic therapist in an emergency mental hospital. Once day she gets a severely disturbed young lady as a patient who tells Rose that something is following her, smiling at her, telling her she’s going to die. Then she kills herself right in front of Rose, while smiling. From that point on, Rose herself becomes convinced that whatever had been following her patient is now following her.

I can’t tell you the amount of times I almost turned this film off. After a long spell of nothing happening. After the 20th jump-scare. But I decided to go through to the end, and while it did slowly get a bit better, I still feel like I wasted my time. Speaking of time, the film was just shy of 2 hours long, but to me, it felt like I was watching it for 6 hours. 30 minutes could have easily been shaved off this thing to make it more palatable. 

SPOILERS INCOMING

My biggest problem with this was probably the acting. Most of it was ok, but the lead was atrocious. And if I’d played a drinking game for every time she licked her lips, I’d have gotten alcohol poisoning. There’s also the famous suspension of disbelief, which already needs to be high for a horror movie, but come on. A string 20 people long of person witnesses suicide-person commits suicide in front of someone-that person commits suicide in front of someone-that person commits… you get my point. And no one noticed? No cops, no doctors, no reporters, no one? I also knew what was going to happen in the end, way before it happened. I had a thought that maybe she was going to defeat it by killing herself while she was alone, but then I thought, nah, this is a “bad guy wins” kinda film. And what do you know, I was right. And as a metaphor for childhood trauma, btw, having the bad guy win just says you can’t ever get over trauma and it’ll destroy you.

So. I didn’t absolutely hate it, but I didn’t really like it either. Which is a shame, cause it had the beginnings of a good idea. I’ll give it a 4.5/10, that little extra going to Kyle Gallner, who I’ve liked in everything I’ve seen him in.

M.

This film is available for rent and purchase on YouTube and Amazon Prime.

Mar 13 2023

Mel’s 5 Second Review: Jeepers Creepers Reborn

Jeepers Creepers Reborn (2022)
Sydney Craven, Imran Adams, Jarreau Benjamin, Ocean Navarro, Peter Brooke, Matt Barkley, Alexander Halsall, Georgia Goodman, Jodie Mcmullen, Gary Graham, and Dee Wallace
Directed by: Timo Vuorensola

Jeepers-Creepers-Reborn

Oh boy. I’ve got to stop making spur of the second decisions on what to watch, especially when they’re based on a sequel. Cause when I do, I end up watching movies like this one.

Laine and her boyfriend Chase are headed to a horror convention. While there, they “win” an evening in an escape room that’s supposed to be Creeper themed, based on the area’s urban legend. Little do they know that the Creeper is very real and wants Laine for a specific reason.

SPOILERS INCOMING because then you won’t have to watch this. You’re welcome.

The film opens with what’s essentially the opening of the first film, but with an old couple (one of whom is Dee Wallace. I guess everyone has bills to pay). But that’s just a video Chase is watching. He’s apparently obsessed with the legend of the Creeper, so much so that he’s dragging his girlfriend to a horror convention. She pulls over to throw up, and we’re introduced to a character who’s supposed to meet them there, I guess? She tells him on the phone to call her when he gets to the hotel. Then she never mentions him again. He, of course, is the first victim. So then there’s a creepy voodoo store lady who somehow knows that Laine is pregnant, and is apparently going to feed her to the Creeper. She rigs the contest to win the escape room, so off they go to the haunted house. What follows after that is a standard locked-in-a-house-with-a-maniac scenario.

First the good. The acting is not that bad. A few of the actors actually seem to know what they’re doing. And it looks like a film. meaning it’s pretty competently shot and filmed. And that concludes our section on the good. The Creeper makeup was awful. The teeth were so white, and they looked like they were going to fall right out of the face. The cgi was terrible, with oh-so-obvious green screen in a few shots that they should really be embarrassed about. And the story is so unbelievably silly, it hurt my brain. Cultists and visions and baby-eating monsters, oh my. I kept on wanting to turn it off, but then I figured it would make a good topic to rant about here, so I stuck with it. Thankfully, it’s not that long, clocking in at 1 hour 28 minutes. I might not have made it otherwise. Do yourself a favour: skip this one. It’s a (very generous) 2.5/10.

M.

This movie, should you really feel like watching it even after my warning, is on Amazon Prime.

Nov 8 2022

Mel’s 5 Second Review: Barbarian

Barbarian (2022)
Georgina Campbell, Bill Skarsgård, Justin Long, Jaymes Butler, Richard Brake, and Matthew Patrick Davis
Directed by: Zach Cregger

Barbarian

So, I hadn’t really planned on watching this one. I’d heard of it, seen it mentioned a few times in my Facebook horror groups, but I didn’t really know what it was about, save the vague synopsis of the beginning of the film. But my mom started it last night (then walked away cause she doesn’t do horror), so I figured I may as well. And boy, what a ride.

Tess gets to the Airbnb she rented just to find out another person has also been booked for the same time. Against her better judgement, she decides to stay the night. She soon finds out that may not have been the best idea, since the house is not what it seems.

I’m not 100% sure how I feel about this film. Don’t get me wrong, it was very well done. Everything was great. Acting, atmosphere, makeup, all pretty stellar. But it was off-the-wall bonkers. And pretty gory, which I’m not a huge fan of. It’s a little slow in the beginning, but definitely not a slog. The characters are engaging, so even when they’re not doing much of anything, it’s still at least mildly interesting to watch them. At least until they do truly idiotic things, which, unfortunately, is a lot of the time. I was watching with my sister and dad, and the main thing that kept coming out of our mouths is “Why would you do that…?” There was also one laugh-out-loud moment that I won’t spoil, but if you’ve seen it, you’ll probably know what I’m talking about (it comes near the end). Now I’m not sure if it was intentionally funny, or if they were trying to be scary. If they were, it didn’t work. There was also the ENORMOUS suspension of disbelief that had to happen to get this story to happen at all. All I’ll say is: all those years. How?? It just doesn’t make sense. All in all, I didn’t hate it, but I didn’t love it. It gets a 7/10 from me.

M.

This film is currently streaming on Disney+