Seventh Son
(2014) Ben Barnes, Julianne Moore, Jeff Bridges, Kit Harington
Good trailer, good actors, high hopes. I made it about half an hour into the film, then turned it off, hopes dashed. Yes, it’s that bad. The end.
M.
Up first, we have Abbi, from over at abbiosbiston:
Chef (2014)
Carl Casper (Jon Favreau) has been the Head Chef at a famous Los Angeles restaurant for years so when he’s about to be reviewed by critic, Ramsay Michael (Oliver Platt) he’s quite excited and looking forward to testing out a new menu. Unfortunately the owner, Riva (Dustin Hoffman) isn’t having any of it and insists that Carl stick to the tried and true regular menu. Ramsay is less than impressed and takes to Twitter to express his lack of enthusiasm which sparks off a social media war that ends in Carl not only becoming a viral sensation for all the wrong reasons but also losing his job. With nothing to do and nowhere to go Carl’s ex-wife (Sofia Vergara) offers him the opportunity to spend some time with his son, Percy (Emjay Alexander) and to meet up with her other ex-husband (Robert Downey Jr) to discuss the possibility of starting a food truck. As the possibility becomes a reality Carl takes off across the country with his trusty sous chef, Martin (John Leguizamo) and Percy in tow. Along the journey not only will Carl reconnect with Percy but he’ll also rediscover his passion for food and why he started cooking in the first place.
There were some absolutely great things about Chef. I thought Favreau gave a heartfelt and charming performance and the relationship between him and Alexander came across as genuine. It was a joy to watch their bond strengthening and them learning from each other. I also always love John Leguizamo and again he doesn’t disappoint in a strong supporting role. At the same time it is a beautiful love letter to food and cooking from the heart and the way the delicious treats on display are filmed are bordering on pornographic. Do not watch this if you are on diet or hungry (I was bother).
On the other hand it’s a somewhat slow meandering story with very limited conflict that never really goes beyond just being sweet and heartwarming. Sometimes everyone needs to watch a movie like that but ultimately it’s probably not going to be remembered within a couple of years. I also felt like Scarlett Johansson was a bit lost playing Favreau’s potential love interest.
Definitely worth a watch but probably with a sandwich in one and and your remote control in the other.
3.5/5
Up next is Rob, from MovieRob:
I have always been a fan of Jon Favreau and his movies. He is a great writer and director and knows how to create characters and stories that we can relate to and want to keep watching.
Favreau is the perfect example of what an actor/writer/director should be and do when making a movie. He researched this kind of role so intensely that he even was willing to put himself through a lot of training in order to appear as an expert chef…and it shows
The characters in this movie seemed very real and it is quite easy to relate to them.
The most realistic part was the father-son relationship between Favreau and Emjay Anthony. Their connection is described perfectly throughout the movie and it works extremely well from a sentimental perspective.
The one thing that made me lose a bit of confidence in this movie was the character played by Sofia Vergara. I love her on Modern Family, but here she seems too out of her element and the film suffers whenever her character appears or is discussed.
BTW, that grilled cheese sandwich seems really really tasty 🙂
8/10
As for mine… I’m so sorry, but I just couldn’t make myself watch it. I want to see it, but I have to be totally in the mood for a film like this, and I guess I just wasn’t. Thank you so much to Abbi and Rob though, for bringing their pieces to the table.
Join us in twoweeks for when we review Maggie. I promise to watch this one!
Interstellar
(2014) Matthew McConaughey, Anne Hathaway, Jessica Chastain, David Gyasi, Wes Bentley, Michael Caine, Bill Irwin (v.o.), Matt Damon, Topher Grace, Casey Affleck, Josh Stewart (v.o.), Mackenzie Foy, Ellen Burstyn
Wow, that was a long movie. But that’s alright, it didn’t really feel like it’s almost 3 hours, so that’s good. I’m not sure if I really liked it, though. I mean everything was great; the acting, the visuals were breathtaking, everything was solid. The story was interesting too. I just feel like with all the grand, swooping things happening all over the film, something got lost. For some reason I couldn’t connect with the characters, especially Murphy. I’ve been staring blankly at the screen for a while, so yeah, that’s really all I got to say about it. Good, but nothing I’m ever going to think about again. 7/10 for a film that left me feeling empty and indifferent.
M.
Space Odyssey: Voyage to the Planets
(2004) Martin McDougall, Joanne McQuinn, Rad Lazar, Mark Dexter, Michelle Joseph, Mark Tandy, Hélène Mahieu, Lourdes Faberes, John Schwab, Colin Stinton, David Suchet (v.o.)
1. The CGI was simply breathtaking.
2. Acting was good all round.
3. The the mix of film and faux-documentary style. Sometimes that can go horribly wrong, in this case it went very, very right.
4. The science, as far as I can tell, is really good. It lines up with other shows I’ve watched and books I’ve read on the subject. Some things are out-dated, but the film was made in 2004 after all.
5. There are some good, tense scenes here and there, and one really sad one that made me bawl like a baby the first time round.
6. This still falls into the realm of science fiction, but for how long, I wonder? I certainly hope I live long enough to see our explorations of other planets and moons.
7. Everything was mostly believable except maybe putting humans on Venus and Io. Would a titanium suit really protect us from the awesome pressures and heat from Venus?
8. I was really hoping, while hovering around Jupiter and Saturn that they’d land on, or at least mention, the moons Titan and Europa. The latter, with its under-ice ocean, is tremendously exciting. (Another very good film on the subject is Europa Report, about what might be swimming around in that deep, dark ocean.)
9. That one dude who was more interested in the science than in the safety of the astronauts really pissed me off, and I’d like to say that that would never happen in real life, but really now, who am I kidding?
10. I was kinda pissed that the “weak one” was a woman. Why not a man? Or, even better, why have a weak one at all? Having a full team of great astronauts isn’t that far a stretch.
Great little film by the BBC. I’d recommend it to anyone even slightly interested in space travel.
9.5/10
M.
Hi guys. As you probably noticed, I haven’t posted the Review Club today. I haven’t been well, and now I’ll be heading off on vacation for a week, so I’m extending this fortnight’s film to a month. So if you haven’t watched Chef and wanted to, you have 2 more weeks to do so. Thank you to those who got your reviews in on time, sorry if you rushed.
You now have till Wednesday, August 19, 4pm to hand in the reviews.
Send them to vampireplacebo@hotmail.com.
M.
Starry Eyes
(2014) Alexandra Essoe, Amanda Fuller, Noah Segan, Fabianne Therese, Maria Olsen, Louis Dezseran, Marc Senter, Shane Coffey, Natalie Castillo, Pat Healy
This film’s been on my to-watch list since it came out, and after seeing some good reviews, I decided to go ahead and watch it last night. The concept is pretty generic, done to death really, but has just enough of a twist that it stays interesting. It gives an unflinching glimpse into the lives of struggling actors, so much so that it’s painful to watch at times. The film is shot beautifully, and the acting ranges from atrocious to good. All of that said, it was boring. Boring, boring, boring. The only reason I made it through the whole film was because I was watching with my sister, and she wanted to finish it, despite being bored herself. The film was just over 90 minutes, yet felt longer than Lord of the Rings. It wasn’t scary, at all, just occasionally gross, and to me there’s nothing interesting in that. And seriously, what the hell is up with her friends?? That one who keeps putting her down, the supposed best friend who tells everything told to her in confidence. With friends like those it’s no wonder she went nuts. And by the time the slicing and dicing starts happening, I was just happy to get these simpering morons off the screen. The end was good, I’ll give it that (even if I’d already figured it out), but still not enough to save this turd. 3/10
This film is currently streaming on Netflix. Watch at your own peril.
M.
To switch things up a little, here’s my review first (I know, I’m a wild one!):
Mel’s 10 Things About: Agora (2009)
Starring: Rachel Weisz, Max Minghella, Oscar Isaac, Ashraf Barhom, Rupert Evans, Homayoun Ershadi, Michael Lonsdale, Sami Samir
So this was a pretty hard movie to watch. It had a hard time finding distributors, and yeah, I can understand why. I’m having trouble completing full ideas today, so here’s a list of my thoughts about the film. {SPOILERS AHEAD}
1. I like Rachel Weisz. She’s hot.
2. The young slave is also hot. Who’s he, and where’s he been all my life?
3. The acting ranged from decent to good.
4. The sound mixing was AWFUL. The music would blare one second and then the talking was so low it was ridiculous. My tv volume went from 12 to 34 regularly. It’s annoying.
5. I don’t understand why Davus turned so fast and became a murderous dick. Did I miss something? And don’t say it’s because she called him an idiot in the heat of the battle. He’s smarter than that.
6. It made me angry and sad to see the Library of Alexandria get trashed. “We don’t need all this stupid science when we have God”. Ugh. So much knowledge, destroyed. How much more advanced would we be now if all of that needn’t of been relearned?
7. The film just fueled my disdain and, shall I dare say, hate?, of organized religion. All of them, not just Catholicism. “It’s written in a book, so it must be so”, right? In that vein of thought, vampires are real, we’re all pod people, and werewolves occupy positions in government offices. Ridiculous.
8. The film was shot beautifully, the sets and costumes absolutely gorgeous.
9. You’d think the most disgusting character would be the Bishop in black, but he’s not. He’s evil, yes, but always was. The worst character is Hypatia’s friend, the Bishop in white, who turns on her in the blink of an eye after hearing a quote from that damned book.
10. It’s a real shame Hypatia didn’t have a Davus to kill her peacefully at the end in real life. The poor woman was stripped, stoned, dragged around town behind a horse, her body being skinned and torn to bits, then she was burned. This lady didn’t have a good go of it.
8.5/10
M.
Up next is Eric, from over at The IPC.
Agora AKA One Million Angry Christians in the House
I had never heard of this movie before Mel assigned it to us but I saw that it had Rachel Weisz in it so I got a little excited – I think she’s super hot and can act well sometimes. My semi-chub was reduced to nothing pretty quickly as this movie started and NOTHING happened for any amount of time. The only thing I could think of was “fuck these Egyptians are awful white” and I couldn’t keep track of any of the male characters because they ALL had white skin, black hair and had a name that were five syllables long and ended in “ius”. Erictheopolius. Ericmeniopolius. Ericmomonius, etc. So there was that and the fact that this was REALLY boring so I didn’t care. The most interesting and bizaare thing to happen was when Weisz’ character brings one of her suitors a blood stained rag and says “this is the essence of my womb” or something which I guess was her way of saying “I don’t want to go out with you”
Then the Alexandrian Whites got angry and started killing the Christians who got mad and then started killing the Alexandrians and destroying everything so the Alexandrians converted to Christianity and then they all started throwing rocks at Jews who threw rocks back and then the Jews were all killed or exiled and Weisz figures out that the earth revolves around the sun so they stone her to death. I have to admit that this movie looks really pretty but the dialogue is atrocious and silly and it was kind of embarrassing to see Weisz commanding her slave to “Grab the bag! Just grab the bag! Do as I say and grab the bag!” during the big siege scene. Oh well – I didn’t like this very much. Say – someone once told me that my first Gravatar image looked like a “period stain” – what do you think?
2 bloody rags out of 5
Up next we have my darling husband Francois, over at FrankishNet.
Agora – a short review
I have mixed feelings about Agora.
The first feeling is love. I loved it. The historical accuracy and setting, the costumes, the actors. It is also original in the sense that it is an “Historical religious move”, and yet not, since it’s about science. I position myself with our heroine: there is science, the rest is not really worth believing in, as it is a tool to serve a political agenda, or to justify hate and murder. On this account, this movie brilliantly demonstrated the relationship of hate and horrifying acts justified by religion, that we live in daily still today.
No wonder they had troubles distributing the movie…
The second feeling is hate. I hated it. Already charged with political, scientific and religious turmoil, the movie was already heavy for the regular watcher. Then add in the mixed opinions on slavery and possession. Our heroine is gentle and intelligent and respects the slaves. Yet, they are still slave and are meant to obey. And that is totally normal given her birthright, upbringing and era.
However, her acts of kindness toward a slave, who is very intelligent and kind as well, are twisted and transformed in his heart, making him fall in love with his mistress. How is this represented? He asks the gods to “own” her, and ultimately kills her himself, after betraying everything he had learned with her, because she had reminded him of his slavery when the library was being taken.
Yes this adds a lot of dimension to both the movie and the character. But with a movie that was already heavy with subject matter, this felt too much and out of place. They should have left the topic of “Slaves wanting to own their mistress so badly that only them are allowed to kill them, and that is fine” out of the movie and kept it as background noise. “There are slaves. Slaves are slaves. Its the era, its fine”, and let us cry horribly when she is stoned to death, as happened in history.
So here, a good mix of hate and love. It was a very heavy movie, that does not leave you feeling good with yourself, but it did a great job at making us reflect on just how much pain are we ready to take or inflict for our believes, and if those believes aren’t just in truth disguised lust for power, or survival.
I’ll give it a solid 8/10 in its “historic” category, and a mixed 5 in “I enjoyed watching it”.
(Except for her ass. Her ass is 10/10).
And finally, rounding things out is Rob, from over at MovieRob.
Before Mel chose this as the next Review Club entry, I had never even heard of this and upon reading the summary, it definitely seemed interesting.
This movie does a very interesting job of trying to discuss modern seemingly contradictions between religion and science set in an ancient world.
Many people nowadays still believe that these two subjects cannot coexist in society in the same way it was believed during the time that this movie takes place 1700 years ago.
Unfortunately, despite it revolving around a very interesting subject matter, the story itself is less interesting and I actually got tired of the soap opera-esk storyline.
I didn’t find any of the male characters compelling enough for a story like this and as great a job as star Rachel Weisz does here, her role isn’t ‘meaty’ enough and in some parts of the movie even seems like she is completely wasted.
As far as historically accurate movies go, I have no idea what really happened or not in real life. Personally, I don’t go to the movies for historically accurate depictions on the big screen, I go to be entertained by the stories. If I did, I’d be better off just watching ‘The History Channel’ all day. 😉
Some of the effects in the movies were done well, but the coolest effect is the use of ‘Google maps’ to zoom in and out of cities and magnifying things to minute details.
This could have been so much more interesting, but instead it was a wasted storyline that comes off quite mediocre.
5/10
And that’s it folks! Join us again in two weeks for when we review Chef!! 🙂
PS, what do you guys think of my new review format? I was having trouble making a coherent paragraph for Mel’s 5 Second Review, so I came up with Mel’s 10 Things About. Do you like it? Which format do you prefer? Let me know please! 🙂
Ouija
(2014) Olivia Cooke, Ana Coto, Daren Kagasoff, Douglas Smith, Bianca A Santos, Shelley Hennig, Sierra Heuermann, Vivis Colombetti, Lin Shaye
So the beginning of this film is boring as hell. I was thisclose to turning it off. But I was watching it with my sister, and she was really enjoying it, so I settled in for the long haul.
First, the good. The acting was actually pretty decent from most of the players. The blonde girl was atrocious, but others held their own. While not scary, it did have one or two good, tense scenes. And the eye thing was pretty cool, it was something not seen too often, so that was good.
Now, the bad. Being, of course, everything else. {SPOILERS AHEAD} The “twist”, such as it is, is a total rip off of other, better shows, such as The Ring and an episode of Supernatural, in which we think the child is the victim, when in fact, they’re the evil one. It was also obvious from a mile away, I figured it out almost immediately. For movies like this, I’m usually able to suspend my disbelief for most things, we are talking about a film about ghosts, after all. But I have my limits. Nana just so happens to know exactly what to do to save them? Or, for that matter, believing their story at all? Just… no. And then, of course, the obligatory open ending, so they’re able to make more of these.
All in all, it didn’t completely suck, but was thoroughly unimaginative and forgettable. And so earns its score of 5/10, with an extra point going to the eye candy.
This film isn’t currently streaming on Netflix, but unless you really have a hard on for ghost stories, I’d say skip it.
M.
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